Time: 9:30 p.m.
Cover: $20
Murder By Death http://www.murderbydeath.com/
Adam Turla - Vocals, Guitars
Sarah Balliet - Cello, Keys
Dagan Thogerson -Drums, Percussion
Matt Armstrong - Bass
Scott Brackett - Piano, Cornet, Accordion, Percussion, Theramin, Mandolin, and Backup vox
"Just remember what old Jack Burton does when the earth
quakes, the poison arrows fall from the sky, and the pillars of Heaven
shake. Yeah, Jack Burton just looks that big old storm right in the eye
and says, "Give me your best shot. I can take it."
Biography
On
the surface, Murder By Death is a Bloomington, IN quintet with a wry,
ominous name. But behind the geography and moniker is a band of
meticulous and literary songwriters matched by a specific brand of
brooding, anthem-riding balladry and orchestral indie rock.
Murder
By Death’s path began in the early 2000s as most Midwestern college-town
groups do, by playing to small crowds at ratty venues an
d
frenzied house parties. While many of their formative-year scene-mates
failed to make it much further than campustown’s borders, Murder By
Death translated their anonymous beginnings into a 10+ year career
founded on a bedrock of five full-length albums, tireless D.I.Y. touring
and performing ethics, and, most importantly, a dedicated, cult-like
fanbase.
Since the band began in 2001, their audience has
blossomed due in part to extended tours alongside similarly hardworking
musical kin such as Against Me!, Gaslight Anthem, Lucero, William
Elliott Whitmore, Ha Ha Tonka, and others. Through more than 1,000
performances across the United States, Canada and Europe, Murder By
Death has gained word-of-mouth devotees and support from the likes of
media outlets like SPIN Magazine, who said of the band, “They brawl like
Johnny Cash’s cellmates or dreamily swoon like Nick [Cave], stomping
saloon floorboards in 4/4 time as grand strings fade into high noon.”
What resonates most with supporters is the band’s energetic, unique,
and altogether consistent sound and conceptualized vision. The personnel
and ingredients of the group consist of Sarah Balliet’s throaty cello
melodies, singer/guitarist Adam Turla’s booming baritone vocals and
brawny guitar strumming, drummer Dagan Thogerson and bassist Matt
Armstrong’s locked-down, post-punk rhythm section interplay, and Scott
Brackett’s (formerly of Okkervil River and Shearwater)
multi-instrumentalist bag of tricks (including piano, trumpet,
accordion, mandolin, vocals, percussion). The overriding sound is an
amalgamation of textures ranging from dark and desolate to upbeat and
brightly melodic, all of it landing somewhere under the orchestrated
indie rock umbrella.
The other mainstay signature element of
Murder By Death’s identity has been built by the overriding concepts
behind each individual album. Every successive effort conjures up fresh
imaginative and tactile worlds – whether it’s the battle between the
Devil and a small Western town (Who Will Survive and What Will Be Left
of Them?, 2003), an arid land of death and redemption (In Bocca al Lupo,
2006), or just songs inspired by a retreat into the Tennessee mountains
(Good Morning, Magpie, 2010).
On September 25, the band releases
their newest full-length and Bloodshot Record’s debut Bitter Drink,
Bitter Moon. The album was written throughout 2011 in a basement in
southern Indiana, and recorded in winter 2011 in Dallas, TX with
producer-in-demand John Congleton (Explosions in the Sky, St Vincent,
Black Mountain). The Four on the Floor http://www.4otf.com/about
BD1 – Gabriel Douglas | BD2 – James Gould | BD3 – Chris Holm | BD4 – Mark Larson
The 4onthefloor’s new album, Spirit Of Minneapolis, evokes the spirit of American rebellion. That same pioneering spirit that brought us everything from modern aviation to rock & roll. Harnessing that spirit, the band is using it to break down modern music’s barriers down to our basic musical traditions. That ageless sound of rock & roll isn’t what it used to be, but the rumble of stomping feet emanating from Minneapolis is an omen of great things on the horizon.
The 4/4 beating of the bass drums recalls the American ideal of onward and upward, turning our prevailing spirits to the sky after a reaching the end of the land. The 4-barreled onslaught can be a train building up steam right behind you, the king of the jungle chasing you down, or your wheels on the highway. It’s the soundtrack of America moving forward.
Delta blues, classic rock, and a lifetime of attentive listening have produced a sound whose time has come. The energetic and powerful delivery of this band cannot be overstated. Their huge, soulful anthems leave nothing on the floor as Gabriel Douglas’ guttural howl soars through the ether.
There’s a readiness to be found in listeners now. The fervor of discovery and innovation is coming back to the American masses and the excitement surrounding the birth of rock & roll is now roaring out of the doldrums with a fury. Let go. Take flight. Indulge in life’s pleasures and stomp with them.
403-320-0117
Not only do we have the best pizza in town, we are also the center of Lethbridge's NightLife.
We are the only bar in town featuring live music every day of the week. Canadian touring artists, local legends and new emerging artists, everyone stops here.