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Volunteers make Kiwanis Music and Speech Arts Festival work

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It takes a lot of work throughout the year to make the Kiwanis Music and Speech Arts Festival a success year after year.Leroy Cranston. Photo by Richard Amery
 “Lethbridge has a really big music scene. People don’t realize that,” observed Leroy Cranston, a long time volunteer who is not only a familiar face at the Yates Centre for the two weeks of the festival, but is also a busy bee behind the scenes helping get everything organized for the event.

The festival features over 5,000 performers from the Lethbridge area including individual school band members, plus approximately several hundred volunteers helping out in every aspect from the day-to-day operation of the festival from the logistics of getting the performers to the venues, selling advertising  in the program, to arranging parking issues with the city, plus all of the work behind the scenes organizing the event beforehand so it runs smoothly for these two weeks.


“It’s a lot of work, but if we didn’t have these volunteers and sponsors, the cost would be prohibitive. We also co-ordinate the scholarship fund,” said Cranston, who has been volunteering for the festival for close to 20 years. This year, he is running the canteen at the Yates Centre as per usual, but in the past  years, has done everything one can do for the festival.


“It the marshal can’t make it, then I can do it,” he said adding there is less interest in volunteering for service clubs today.

The Kiwanis Speech and Arts Festival features about 5,000 performers performing over the span of two weeks in a variety of categories from musical theatre, speech arts, bands, solo instrumentation, choir and a lot more between April 4-16 at several different venues including the Yates Theatre, Southminster United Church, St. Augustine's Hall, Library Theatre Gallery, Sterndale Bennett and St. Patrick’s Fine Arts School.


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Kiwanis Music and Speech Arts Festival to wind up first week with Musical Theatre Showcase

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The first week of the 81st annual Kiwanis Speech and Arts Festival winds up Saturday with the fourth Annual Musical Adjudicator Ron Long gives Jordyn Appleby some suggestions, April 6. Photo by Richard AmeryTheatre Showcase at the Yates Centre.


“It’s gone very well,” said Executive Director Carole Roberts, who is calling it quits after six years at the helm of the long running local festival, which features close to 5,000 young performers including members of bands and choirs.


“We’re always looking for ways to bring people in,” said Roberts, adding the Musical Theatre Showcase is a recent addition to the festival designed to highlight the plethora of fantastic musical theatre entrants.


“We’ve seen a handful of people  who aren’t related to anybody performing, just coming just for pure enjoyment,” she added, noting everybody is welcome to come and listen to Lethbridge’s up and coming talent performing at the festival.

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Pretty, Witty and Gay allows gay community to come out and shine

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Lethbridge‘s gay and lesbian community will be coming out to entertain you, April 1 at the David Spinks Theatre for the eight annual Pretty, Witty and Gay cabaret.
“It’s a gay themed theatre cabaret that celebrates sexual diversity,” described organizer  Jay Whitehead.


“And gender identity,” added co-organizer Génevievé Paré, who is excited about being involved with her second Pretty, Witty and Gay, which she has had to juggle with  performing  the role of the Duke of Buckingham in the university’s production of Shakespeare’s Richard III.

Génevievé Paré and Jay Whitehead are looking forward to Pretty , Witty and Gay, April 2 at the David Spinks Theatre. Photo by Richard Amery
“We have over 10-15 different acts of a wide scope from theatrical, comedy, musical and dramatic acts,”  she continued.


“This year we will also be having confessionals or testimonials. Members of the community have the opportunity to share their stories about coming about them and their families,” Whitehead added, noting  Lethbridge has a significant gay population.


“It’s hard to say. When I moved to Lethbridge and started this in 2004, they didn’t have much of a voice at all but they are starting to be heard. Lethbridge has an annual pride  event now and the university has a  very active gay and lesbian club. I’d say relative to our population it’s comparable to most cities,” Whitehead observed.


“The community is starting to see that we’re a contributing part of the community,” he added.

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Richard III provides gripping bloodshed and drama

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While reading Shakespeare can be a challenge, seeing it performed on stage is a pleasure. Stephen Iremonger in Richard III. photo by Richard Amery

Whether it is performed successfully or not— a lot of that depends on the cast. It is a daunting play and it’s a tragedy so pretty much everybody dies in it. It is also tough to follow the intrigue and the devious scheming.
Luckily the 30 some cast members  of The University of Lethbridge’s production make their production of  the dark, deadly and devious tragedy of Richard III, really shine.


Stephen Iremonger is scary as the sociopathic Richard III , murdering and scheming his way to the throne, but managed to evoke a few laughs from the attentive crowd during the play’s opening, March 22 at  University Theatre.
He is no less matched by Génevievé Paré as  the Duke of Buckingham, who helps him scheme his way to the top.


Paré, who  did a great job with New West’s charming production of Munsch back in December, proves herself equally adept at drama as she is at children’s theatre.
The whole cast shines, be it Queen Margaret (Gail Hanrahan)’s crazy ranting and invoking curses or the  humour and conscience of Richard III’s two murderers, played with relish by Kelly Roberts and  Lindie Last.


Particularly New West Theatre veteran Roberts, who  has a crisis of conscience about murdering  Duke of Clarence (Mark Spracklin) I wanted to see more of their interplay, but alas, it was not to be. The same goes for  Spracklin, whose performance of Clarence was immediately touching. I missed him when he was gone.


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